Arte della Civiltà Islamica. La Collezione al-Sabah, Kuwait
Shown for the first time in Rome, more than 100 pieces of art from the collection of Sheikh Nasser Sabah al-Ahmad al-Sabah and his wife, Sheikha Hussah Sabah al-Salim al-Sabah. For four decades, the couple have collected works of Islamic art and of the art of the Middle East before Islam. Their collection, comprising 35,000 items, is unquestionably one of the most important in the world not only in terms of its size but also in terms of the quality and originality of the works of art it contains. The exhibition is divided into two parts. The first, which is strictly chronological, begins with a small numismatic section designed to provide a historical and geographical introduction to the main stages in the development of Muslim civilizations.
The second sector probes the crucial artistic themes and modes of Islamic art, ranging from the formal stringency of its mesmerizing calligraphy and its learned and scientific exploration of the world of mathematics and geometry, to the endless imagery of the repeated floral motif known as the Arabesque and the abstract and realistic depiction of animal and human figures, thus setting straight the misleading idea that Islam was iconoclastic.
Palazzo delle Esposizione, Via Nazionale 194 (between Piazza della Repubblica and Venezia)
Sunday – Friday, 12–8 pm and Saturday 12-11 pm; July 25 through September 20
Also at this museum:
David LaChapelle – Dopo il Diluvio
American artist and photographer David LaChapelle returns to Rome after 15 years, with an important and comprehensive retrospective of more than 150 images. In 2006, LaChapelle walked away from a lucrative career in fashion photography and retired to the life of a hermit on an island in the Pacific Ocean. This exhibition will focus on the series of works realized from 2006 that embrace new aesthetic and conceptual concerns and mark a turning point in LaChapelle's artistic development. The exhibition will also host a body of work realized between 1995 and 2005.
His works have been exhibited in important public and private international collections: Musée D’Orsay, Paris; the Brooklyn Mseum, New York; the Museum of Contemporary Art, Taipei; the Tel Aviv; Los Angeles County Museum, LA; the National Portrait Gallery, London; Fotografiska Museet, Stockholm and the National Portrait Gallery, Washington DC.. through September 1
Tesoro della Cina Imperiale Palazzo
A display of more than 100 Chines art objects, from the Golden Age, which began with the Han Dynasty and contined through the Tang Dynasty. Artifacts on display include a funerary robe constructed of 2,000 strips of jade woven with golden threads, as well as glazed, earthenware and multi-colored vases, gold, silver and jadeite objects, gold and silver utensils decorated with forms and motifs influenced by Western design, ceramic sculptures, funerary statues and copper mirrors. These artworks offer a glimpse of the daily life, customs, culture, spirituality and art of the Chinese Empire in one of its greatest periods.
Palazzo Venezia Via del Plebiscito 118 (Piazza Venezia)
Tuesday – Sunday, 8:30 am – 7:30 pm; through February 28, 2016
Roma In Acquerello II edizione
The Roman Association of water-colorists presents the second edition of an exhibition covering themes related to everyday Roman life, its urban and surrounding pastoral landscapes.
Complesso Di Santa Maria Del Popolo,Piazza del Popolo
Tuesday - Sunday, 10 am – 1 pm and 5-8 pm; through August 1
Fen Zeng – La sinfonia delle civiltà
A retrospective exhibition featuring works by Chinese artist, poet and author Fen Zeng celebrates the 45th anniversary of diplomatic relations and cultural exchange between China and Italy. In effect the relationship between the culture of the two countries dates back 400 years, starting with Marco Polo (1254-1325) prescient to the pioneering Catholic missionary, Matteo Ricci (1552-1610).
Fen Zeng ’s paintings revive a distant culture, and recall ancient ties. When approaching conflicting experiences, he is careful to employ diplomacy through the expressive canons encoded in the Chinese tradition.
Complesso del Vittoriano, Via Di San Pietro in Carcere (Piazza Venezia)
Tuesday – Sunday, 9:30 am – 7:30 pm; through September 15
Also opening at this museum:
Yuri Kalyuta – Rosso su rosso
Russian painter Yuri Kalyuta showing for the first time in Rome, presents a selection of more than 60 works in oil and pastels. His paintings are an expression of Russia’s academic tradition against the strong use of chromaticism as a means to carry forth the emotional argument of the human psychic.
through September 15
Arte e sacro si fondono nelle mostre di Yves Klein, Sidival Fila e Tito
Three artists from different nationalities, generations and styles — Yves Klein, Sidival Row and Tito — whose works are linked through their common use of recurring themes and a complex synthesis of color, light and matter.
Museo Carlo Bilotti , Aranciera di Villa Borghese, Viale Fiorello della Guardia (Villa Borghese entrance from Piazzale Flaminia)
Tuesday – Friday, 1–7 pm, Saturday and Sunday, 10 am – 7 pm; through October 11
Nutrire l’Impero. Storie di alimentazione
da Roma e Pompei
An exhibition conceived in conjunction with EXPO 2015, illustrates the foods of the Imperial Age when the first so called, “globalization of consumption” began around the Mediterranean basin.
Ara Pacis Museo Museo Ara Pacis, Lungotevere in Augusto (near Piazza del Popolo)
Tuesday - Sunday, 9:30 am - 7:30 pm through November 15
Bamboo – Elisa Montessori
The artist's recent works display a unique mix of paint and stone, art and technique, blending the old and the new, while revealing the tedious and meditative impact of mosaic application, which when taken in an experimental direction, can create a new artistic fusion.
Casina delle Civette – Villa Torlonia, Via Nomentana 70 Tuesday – Sunday, 9 am – 7 pm;
July 7 through September 27
Leonardo da Vinci – Autoritratto
The self-portrait executed in the waning years of Da Vinci’s life, has been defined as enigmatic, fascinating and beautiful and it is perhaps his most recognized drawing. Recently restored, it is the sole focus of this exhibition. Events that played into the narrative of this portrait over the centuries accompany the work, revealing characteristics of the a sanguigna technique he used. Perhaps no other Renaissance artist can claim such genius. Leonardo da Vinci (Florence,1452 - France,1519) was an Italian polymath, painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, catographer, botanist and writer.
Musei Capitolini , Piazza Del Campidoglio 1
Monday – Sunday, 9:30 am - 7:30 pm; through August 3.
Arturo Noci (1874-1953) Figure e ritratti degli anni romani
Seventeen paintingsby one of the leading Italian figurative artists of the late 19th and early 20th centuries, focusing on the body of work created before he transferred to New York in 1923.
The works in this exhibition are divided into two halls, the first concentrates on his early phase and highlights his training. At the beginning of the 20th century, Noci presented a series of veiled nudes, tinged with eroticism that attracted wide attention, making him one of the most sought-after portratists in Rome during the Belle Epoque.
Galleria D’Arte Moderna di Roma Capitale , Via Francesco Crispi 24
Tuesday – Sunday, 10 am – 6:30 pm; through September 27
Morandi in Calcografia
Celebrating 50 years since the death of Giorgio Morandi, a collection of more than 100 engravings from the institute’s archives, illustrating the technical processes behind the artist’s engravings and his involvement in the institute’s acquisition of his graphic works.
Istituto Nazionale per La Grafica – Calcografia Via Della Stamperia 6
Monday – Saturday, 10 am – 7 pm; through July 31
Lo Stato dell’Arte: l’Arte dello Stato
An exhibition featuring the Arts and Culture Ministry’s reacquisition of Italian art that in the past had been held or given to the State through purchases, recoveries, bequests or donations.
Castel Sant’Angelo Lungotevere Castello 50
Tuesday – Sunday, 9 am – 7:30 pm; through November 29
Sintattica. Luigi Battisti / Claudio Adami / Pasquale Polidori
A site- specific installation of painting, sculpture, sound, and video. Fine lines and a tenacious bond might define the collaboration between the three artists, Claudioadami, Luigi Battisti and Pasquale Polidori, who have decided to present their works in the name of syntax, a word that from its root "syn", indicates precise union. The line, however, is the focus of a number of works in this exhibition. Claudio Adami's inspiration is derived from graphic transcriptions in selected texts by Samuel Beckett. Altogether, the works of these artists overlap and dialogue with environments and material of the sculptor Hendrick Andersen, whose work is the museum’s permanent installation.
Museo Hendrik Christian Andersen, Via Pasquale Stanislao Mancini 20 (near Piazza del Popolo)
Tuesday – Sunday, 9;30 am – 7:30 pm; through October 11
Maurizio Donzelli – AD Altemps
Thoughout his artistic practice, Maurizio Donzelli has focused on lines and the fluid form of drawing, the reciprocal relationship between light and color, the progressive revelation that an image is almost never completed until it is finally observed. Here, he accommodates his process by creating ever-changing environments among the museums permanent collection of antique sculptures.
Museo Nazionale Romano, Palazzo Altemps Piazza Di San’Apollinare 8 (near Piazza Altemps)
Tuesday – Sunday, 9 am – 7:45 pm; through July 26
Gioacchino Ersoch (1815 -1902) Un architetto per Roma Capitale
An exhibition dedicated to Swiss architect, urban planner, and inventor Giocchino Ersoch celebrates the bi-centennial of his birth. Along with architectural models and design projects, the exhibition includes paintings and vintage photographs that document the period in which he worked in Rome, 1848 to 1889.
Museo di Roma – Palazzo Braschi, Via Di San Pantaleo (Piazza Navona)
Tuesdday – Sunday, 10 am – 7 pm; through September 20
L’eleganza del cibo. Tales about food and fashion
A major exhibition coordinated with Expo 2015 celebrates nutrition, which is the dominant theme of the world expo, and the relationships among nutrition, craftsmanship and the creativity behind the “Made in Italy” lablel. More than 160 creations from the 1950’s to present, some seen publicly for the first time, include accessories, clothing, photography, videos, holograms, video mapping and visual-art. Food-inspired fashion by Armani, Prada, Etro, Gattinoni, Ferragamo, Moschino, Ken Scott. Eight photographs by Korean photographer Yeonju Sung, depict how food can interact with fashion and assume its form.
Mercati Di Traino, Via IV Novembre 94
Tuesday – Sunday, 9:30 am – 7:30 pm; through November 1
Corporate Art. L’azienda come oggetto d’arte (150766)
In collaboration with LUISS Creative Business Center, the National Gallery of Modern Art has invited artists and companies to confront the theme of Corporate Art with a focus on emphasizing the relationship between the business world and artistic creativity. The aim of the exhibition is to recover the tradition of cooperation and interaction between the two worlds.
GNAM viale Delle Belle Arti 131 (Parioli)
Tuesday – Saturday, 10 am – 6 pm, Sunday and holidays, 2-7:30 pm; through October 11
Photographs by American-born photographer Florence Henri (New York, 1893-1982) who produced a series of images focused mostly on Roman antiquities while sojourning in Italy between 1931 and 1932. Henri began her artistic career as a painter but turned to photography during her studies at the Bauhaus in Germany. Her portrait studio, along with that of Man Ray, was widely known in Paris. She is said to be one of the foremost surrealist photographers of the 20th century. Her wide-ranging portfolio of images explores the mechanics of perception. Henri’s works include portraits, still lifes, (mostly industrial objects), abstract composition, advertising, self-portraits and nudes. She lived most of her life in Paris and on the Isle of Wight and spent several years in Rome.
Terme di Diocleziano, Via Enrico de Nicola 79 (near Piazza della Repubblica)
Monday – Sunday, 9 am – 7:45 pm; through August 31
Steve McCurry: Oltre lo Squardo
"Beyond Sight", an exhibition of works by one of our most important contemporary photographers, presents a selection of his new works, and his most iconic images, with biographical information on his extraordinary life told therough a series of videos. McCurry came to interntional attention when he was smuggled into Afghanistan at a time when the Russian invasion had closed the country to Western journalists. It was there that he shot the now indelible portrait of a young Afghani woman with startling green eyes. He has produced several covers for the international press, more than a dozen books and a long list of monographic exhibitions. He has been awarded the Robert Capa Gold Medal, the National Press Photographers Award and four World Press Photo prizes. He was given a Knighthood of Arts and Letters by the President of the French Republic, and in 2014 he was presented with the Gold Medal for Lifetime Achievement from the Royal Photographic Society of London.
Cinecittà di Mostra via Tuscolana, 1055
9:30 am - 7 pm; through September 20 €12
The first solo show in Italy by American artist Josh Smith whose work is based on the unique technique he applies in the execution of works on paper, collage, engraving and book art. The exhibition of 100 paintings created expressly for the occasion ,documents the various phases of Smith’s artistic practice, which explores the relationship between authorship and serial imaging. Works include “Name Paintings,” Abstract paintings executed between 2009 and 2015 and Stage paintings. Josh Smith (Knoxville, Tennessee, 1976-) has shown in the U.S. and Europe.
MACRO Testaccio Piazza Orazio Giustiniani (Testaccio)
Tuesday – Sunday, 4 – 10 pm; June 4 through September 20
Also at this museum:
Sergio Staino. Satire and dreams
A retrospective honoring the satirist Sergio Staino, known as the creator of Bobo, with more than 300 works, from his first cartoon strips to his latest creations, and digital watercolors. Staino’s works have a social significance and give shape to the figures who have driven the last 30 years of Italy’s fractured political and institutional life. These works are part of a process that accompanies the artist’s progressive loss of vision. Staino is also a film director, writer, designer and cultural promoter.
MACRO - La Pelanda Via Piazzo Orazio Giustiniana 4 (Testaccio)
Tuesday – Sunday 4-10 pm; through August 23
Simon Ma – Beyond Art with Love
Ma, who is widely known for his interpretation of Chinese art, shows for the first time in Rome, with a series of site-specific installations on the theme of“unconditional love” The artist aims to reach the public through his use of the elements of water, air, earth and spiritual benevolence. The exhibition is curated by Archille Bonito Oliva.
through Augusto 23
Jean-Luc Moulène. Il était une fois
Dedicated to one of the major figures on the International contemporary art scene. Thirty works by Jean-Luc Moulène, including objects, photogrrahs, and films express reflections on the condition of the artist in society, a radical criticism of the manipulations and seduction of representation, in a formal study, often tinged with humor and derision. Curated by Eric de Chassey, the exhibition focuses on recent works created by the artist for this occasion.
Moulène, who was born in Reims (1955), lives and works in Paris. He has shown worldwide since participating in Documenta in 1997 and achieving recognition for his first important project, Objets de grève (1999).
Académie de France, Villa Medici , Viale Trinità dei Monti 1
Tuesday – Sunday, 10 am – 7 pm; through September 13
Buono da guadare:
cibo, arte e ritualità nelle fotographie di Mario Carbone
Mario Carbone’s photographs focus on food and nutrition. His works capture the deep sense of ritual and religion inherent in all aspects of food. Starting with production and continuing through to consumption, his images investigate the entire process, without neglecting the communicative value of each community represented. In typical ethnographic fashion, Carbone’s photographs reconstruct a part of Italy’s recent history of food in the regions of Basilicata, Calabria, Sicily, and Sardegna - southern territories with an economy still predominantly pastoral or linked to the activities of fishing. A series of photographs taken in India accompany the exhibition which also pays homeage to Expo Milano 2015.
Museo di Roma a Trastevere Piazza Sant’Egidio 1B
Tuesday – Sunday, 10 am – 8 pm through September 9
Terrantica. Volti, miti e immagini della terra nel mondo antico
A selection of 75 artworks including ancient artifacts, statues, vases, and reliefs illustrate the practice of Earth worship from prehistoric times through the Imperial Roman era. A series of photographs dedicated to landscapes from antiquity to the wonders of the Earth link this exhibition to themes being addressed at Expo 2015 revolving around the forces of the Earth, man and divinity.
Anfiteatro Flavio – Colosseo Piazza del Colosseo
Monday – Sunday, 8:30 am – 7 pm; though October 11
Barocco a Roma. La meravigila delle arti
An ambitious project promoted by the Fondazione Roma-Arte-Musei. The exhibition begins with the classicism of Annibale Carracci and reaches the heightened prospective of Baciccio, covering the period from the end of the 16th century to the second half of the 17th century. During this period, baroque art forms rose through the important commissions of Popes Urbano VIII, Innocenzo X and Alessandro VII, who stimulated the creativity of artists like Gian Lorenzo Bernini, Francesco Borromini and Pietro da Cortona. Along with the exhibition satellite events will take place proposing exclusive itineraries (Musei Vaticani), themed tours (Complesso di Sant’Ivo at the Sapienza; Oratorio of the Filippini Friars; Cappella dei Re Magi; and events at the Gallery Doria Pamphil, the Musei Capitoline the Galleria Nazionale d’Arte Antica-Palazzo Barberini, as well as special visits to the Palzzo Colonna and exhibitions at the Museo di Roma-Palazzo Braschi; Palazzo Chigi in Ariccia; Sala Alessandrina l’Archivio di State , study sessions, conferences, concerts and the historic commemoration of Castel Sant’Angelo, with an exhibition, the regatta, and a Baroque fireworks display celebrating the feast day of Saints Pietro and Paolo.
Fondazione Roma Museo – Palazzo Cipolla, Via del Corso 320
Monday, 3-8 pm, Tuesday – Thursday and Sunday, 10 am – 8 pm and Friday - Saturday, 10 am – 9:30 pm; through July 26
Marc Chagall – Love and Life
Dedicated to the Russian painter, this exhibition revolves around his personal experiences and the central themes of his poetic imagery, which was derived from his Jewish heritage. More than 150 works, including paintings, drawings and prints from the Israeli Museum in Jerusalem illustrate the unique bond between the great painter and his wife, Bella Rosenfeld, who was a fundamental and constant source of inspiration. Marc Chagall (Vitebsk, Russia 1887-1985) though born in Russia, is considered a Russian-French artist and was strognly influenced by the French avant-garde. Upon his death, art historian Michael J. Lewis declared him, “the last survivor of the first generation of European modernists.” Chagall’s works are collected in museums worldwide. He is also known for the stained glass window project at the cathedrals of Reims and Metz, windows for the UN, and the Jerusalem window in Israel.
Chiostro Bramante, Via Arco della Pace 5 (near Piazza Navona)
Monday – Friday, 10 am – 8 pm
and Saturday – Sunday, 10 am – 9 pm; through July 26
Lacus Iuturnae. La Fontana Sacra del Foro Romano
For many years the group of seven sculptures known as the Lacus Iuturnae has been closed to the public. Now, recently restored, they can be visited for the next few months. The sculptures depict the Dioscuri, the two divine brothers with their horses and plows, with four sides portraying images related to their legend, along with a hieratic statue of Apollo. Originally, the fountain's waters which were considered partifularly healthful, poured through a marble fountainhead.
Temple of Romulus, Via della Strada Vecchia, Foro Romano
through September 20
L’Eta dell’Angoscia da Commodo a Diocleziano (192-305 d.c.)
The fourth edition in a series of exhibitions marking the profound changes that took place during the Roman Empire from 192-305 AD. Traditionally considered the age of imperial crisis, during this time the seeds were planted that would transform the character of the empire and the society of late antiquity.
Capitoline Museum, Piazza Del Campidoglio
Tuesday – Sunday, 9 am – 8 pm; through October 4
EXHIBITIONS AT MAXXI
MAXXI - Museo Nazionale delle Arti del XXI Secolo , Via Guido Reni 4A (Flaminio)
Tuesday - Friday and Sunday 11 am - 7 pm, Saturday, 11 am - 10 pm
Maurizio Sacripanti. Expo Osaka ’70
Looking back to past international expositions with a selection of drawings, photographs, documents, project models and video interviews devoted to Maurizio Sacripanti’s design for the Italian pavillion at the International Exposition Osaka, Japan in 1970. The exhibition explores the architect's design processes.
through October 25
Olivo Barbieri – Immagini 1978 – 2014
A major retrospective of more than 100 images by photographer Olivo Barbieri traces themes and underscores his constant attention to perception, his capacity to interpret the reality he developed throughout this period of his artistic career.
through November 15
EXHIBITIONS AT MACRO
Museo D’Arte Contemoranea Roma Via Via Nizza 138 at Via Cagliari (near Piazza Fiume)
Tuesday – Friday, 11 am – 7 pm; Saturday, 11 am – 10 pm and Sunday, 11 am – 7 pm tel 06 671 070400
Francesco Francaviglia – Mediterranean Darkness
Ritratti dalle stragi (Portraits of massacres)
Francaviglia’s compelling body of photographs invites viewers to reflect on the series of tragic events that have unfolded since the 1990s in and around countries facing the Mediterranean sea. This show, much an earlier portrait project by the photographer that narrated public reaction to the mafia tragedies of Capaci and Via D’Amelio, chronicles the horror of immigrant populations who arrive at the Italian coast having crossed dessert and sea in search of asylum.
through September 20
Nakis Panayotidis – Guardando l’invisibile
A selection of works executed over the past decade, which were shown at the Kunstmuseum Bern for the artist’s retrospective. Panayotidis is reportedly one of the most significant among European artists whose work is linked to the Arte Povera movement, although his artistic activity is not solely restricted to this genre. Panayotidis employs techniques that use photographs, paintings and drawings, — often simultaneously — onto which he builds a complex grafting material. The artist was born in Athens, Greece (1947). At an early age he moved with his family to Turin. He now lives and works in Bern Switzerland.
(Project Room #2 ) through September 13
100 Scialoja. Action and Thought
A retrospective dedicated to the centennial of Toti Scialoja, one of the greatest Italian artists of the late 20th century, featuring expressionist works from the early 1940s, the Roman tonalist painting style of the 1920s and ’30s and the last of his oeuvre, the large canvases executed in the latter years of the century. Included also are works from the well-known series "footprints," executed in the second half of the 1950s, works that leaned toward "Action painting.”. Scialoja defined himself during this period as ‘stylistically and emotionally attracted to American abstractionism’. Seen for the first time in an exhibition, the "Machine comb", one of the five original pieces of stage machinery Scialoja created for Rosso di San Secondo’s, The Rape of Proserpina, staged in 1986 for the theater season of "Orestiadi Gibellina ".The exhibition also explores writing and graphic design as artistic themes for children in a syntactic game created bt the artist.
I Belgi. Barbari e poeta
Works by major Belgian artists of the 20th and 21st centuries. In a sweeping overview, the show outlines the many facets of Belgian art and culture during this period. The title is inspired by a passage from De Bello Gallico, Julius Caesar’s “Horum omnium strong sunt Belgae” (Of all the peoples, the Belgians are the bravest), emphasizing the ancient link between Belgium and Rome and the fearless, unconventional character that is an integal part of Belgian culture.
Works by 20th century artists James Ensor (shown here), René Magritte, Paul Delvaux, Marcel Broodthaers, Constant Permeke, as well as works by contemporary artists Panamarenko, Delmote, Jan Fabre, Pascal Bemier and others, illustrating the continuity of Belgium’s poetic and barbaric traditions.
through September 13
Opere della collezione MACRO #1: L’altra metà dell’arte
The first in aseries of cyclical exhibitions from MACRO’s permanent collection curated primarily around works of significant visual and environmental impact. This edition highlights the works of 17 women prominent on the Italian and International art scene and focuses on works dating from the 1960s and beyond to establish parallels between the different gererations, finding a few strands of continuity. Works by Titina Maselli, Carla Accardi, Giosetta Fioroni, Maria Lai, Isabella Dicrot, Sissi, Alessandra Tesi, Avish Khebrehzadeh, Elisa Montessori, Amparo Sard, Paola Gandolfi, Lia Drie, Rosanna Lancia, Nedda Guidi, Benedetto Bonichi, Beatrice Pediconi, and Elisabetta Catalano.
through November 8
Gli amici di Toti Scialoja e Gabriella Drudi
More then 70 works from the private collection of Toti Scialoja and Gabriella Drudi include paintings, sculptures, drawings and graphics. The collection features works by Afro, Burri, Colla, Corpora, de Pisis, Fonatana, Dorazio, Mafi, Morandi and others, all friends and colleagues of Scialoja, collected from the second half of the 193s to the end of his career in the '90s, and during his tenure as professor at the Academy of Fine Arts in Rome.
through September 6.
Jonathan Monk –
All the possible combinations of twelve lights lighting (one at a time)
British artist Jonathan Monk left his Vespa PK parked in the museum with the lights on. The headlight, tail light, turn signal and brake lights on the instrument panel go on and off in a sequence he organized according to a precise rhythm of up to 479,001,600 possible combinations
through September 13
Hilla Ben Ari / Alice Cataneo – Tensioni E-Statiche
Ben Ari returns t Rome to present her latest artistic endeavor, a video created in honor of Nachum Benari (Ukraine,1893), writer, intellectual and the artists’ great uncle, who was one of the founders of both Ein Harod Museum and the nearby kibbutz. His acclaimed academic essay Tubal-Cain, a biblical-themed text, which examines issues such as arrogance, guilt and punishment within a collective setting, was the inspiration for Ben Ari current video. Her work attempts to retell the biblical tale through problems related to gender issues. Na’amah represents a sacrificial victims of more powerful forces, the feminine figure constrained to silence and marginalized by the men of her own family.
Galleria Marie-Laure Fleisch Via Pallacorda 15 (Ghetto)
Monday – Friday, 2-8 pm and Saturday, 4-8 pm; through September 12
Bruno Ceccobelli I Auro e Celso – Capovelgere
In celebration of the 10th anniversary of Foundazione Pacificio Ceres, and the 110th anniversary of the building in which it is housed,. Ceccobelli presents his most recent works, a continuation of his development of new ways to interpret reality and the application of common language in art. Bruno Ceccobelli (Montecastello di Vibio, Todi - 1952) was a leader among artists who formed the New Roman School,in the mind 1970s. Lla Scuola di San Lorenzo, as it was known, was housed in the former Cere pasta factory in the San Lorenzo district, which was transformed into studios.. He has shown extensively throughout Italy, in Europe, the UK, U.S and Japan.
Fondazione Particificio Cerere Via Degli Ausoni 7
Monday – Friday, 3-7 pm; through July 30
Piero Golia – Intermission Paintings
Golia is an anomaly among today’s top-ranking artists, known to subvert the conventions of contemporary art through concept, form, and act. In January 2006, he vanished from New York City leaving no trace, only to resurface three weeks later at the Royal Academy of Arts in Copenhagen to give a lecture on his own disappearance. Paintings in this exhibition (2014) are, to some extent, a byproduct of the first phase of his Comedy of Craft trilogy, a sculptural performance that he conceived in three acts and directed himself.
Within Golia's self-reflexive epic, the Intermission Paintings represent a return to the studio and a new approach to painting born of vicissitudes. Transforming history and performance into mercurial relics, Golia continues to elicit meaning from the indifferent laws of chance.
Golia was born in Naples (1974). His work has been shown in major exhibitions in the United States and Europe,
Gagosian Gallery, Via Francesco Crispi 16 (near Piazza Barberini)
Tuesday – Saturday, 1 0:30 am – 7 pm; through July 30
Teste - in collaboration with The National Exemplar Gallery (150232)
A group exhibition featuring works by Ben Bloomstein, Matt Kenny, Tristano di Rabilant and Rand Hardy themed around the many meanings, uses and functions surrounding the word “head” – but more accurately, its transcendence from description to abstraction, and its application in aspects of nature, physical science and object identification.
Galleria Alessandra Bonomo, Via Del Gesù 62 (near Piazza Venezia)
Monday – Friday, 12-7 pm; thorugh September 30
Francesco Lauretta - Inesistenze (
A solo exhibition of Lauretta’s recent works — interpretations of phantoms, presences that escape definition but that are immediately recognizable. Boundaries are blurred between themes of life and death, the existent and non-existent.
‘The artist lends a philosophical explanation to his body of work, ‘the non-existent is something that has life, has breath, even if invisible - we have seen it without being aware – unknowingly. If seen, it is painful. And if it does not exist, what joy.’ Francesco Lauretta
Z2o Sara Zanin Gallery, Via della Vetrina 21 (near Piazza Navona)
Tuesday – Saturday, 12-7 pm; through July 31
Tracey Emin – Waiting to Love
This will be Tracey Emin’s fourth exhibition with the Lorcan O’Neill Gallery. Her art is one of disclosure, using events from her own life as inspiration for works ranging from painting, drawing, video and installation, to photography, needlework and sculpture.
Galleria Lorcan O’Neill, Vicolo dei Catinari 3 Ghetto)
Tuesday – Saturday, 11 am - 7 pm; opens May 9 through September 5